The infamous Butcher Cover. Worth quite a pretty penny to the avid collector. The most valuable and highly prized first and second state Butcher Covers are those that were never opened and remain still sealed in their original shrink wrap. Since the first documented collector’s sale of a mono Butcher cover LP in 1974, which fetched US$457.00, the value of first state mono versions has consistently appreciated, reaching $20,000 in 2006. The NINTH release by the Beatles Capitol Records, and the ELEVENTH overall release. Released in June, 1966 (6/66) it was a controversial image and for the first time critics questioned the Beatles good nature and “good ol’ boys” image. According to a 2002 interview published in Mojo magazine, former Capitol president Alan W. Livingston stated that it was Paul McCartney who pushed strongly for the photo’s inclusion as the album cover, and that McCartney reportedly described it as “our comment on the Vietnam war”. Is that really what it was? A protest for the Vietnam war? Seems to me it took them nearly 40 years to come up with that story!
Here is what Robert Whitaker (photographer of the infamous photo shoot) had to say about his ‘vision’ for the photo session:
“How did that photo, featuring the Beatles among slabs of meat and decapitated dolls, come about? Was it your idea or the Beatles’?
“It was mine. Absolutely. It was part of three pictures that should have gone into an icon. And it was a rough. If you could imagine, the background of that picture should have been all gold. Around the heads would have gone silver halos, jeweled. Then there are two other pictures that are in the book [The Unseen Beatles], but not in colour.” ” The actual conception for what I still call “Somnambulant Adventure” was Moses coming down from Mt. Sinai with the Ten Commandments. He comes across people worshiping a golden calf. All over the world I’d watched people worshiping like idols, like gods, four Beatles. To me they were just stock standard normal people. But this emotion that fans poured on them made me wonder where Christianity was heading”.
“Why meat and dolls? There’s been a lot of conjecture over the years about what that photo meant. The most popular theory is that it was a protest by the Beatles against Capitol Records for supposedly “butchering” their records in the States.
“Rubbish, absolute nonsense. If the trilogy or triptych of the three photographs had ever come together, it would have made sense. There is another set of photos in the book which is the Beatles with a girl with her back toward you, hanging on to sausages. Those sausages were meant to be an umbilical cord. Does this start to open a few chapters?” -Interview with Robert Whitaker
The meat could symbolize the pieces of Osiris- that Isis had to put back together after he was slain by Set. Crowley taught that the Abrahamic religions were “Osirian” religions – rooted within the “Age of Osiris” – and would fade away and be replaced with something else- he interpreted he was to help aid the ushering in of the age of Horus. This picture says to me that the Beatles have “killed” or “butchered” the old ways- and are now helping to usher in the new age- the age of acting upon your own true will, and self-actualization. The age of Horus. This album was released coinciding with John’s “more popular than Jesus” remark. That was no accident.
“…Christianity will go. It will vanish and shrink. I don’t know what will go first, rock ‘n’ roll or Christianity. We’re more popular than Jesus now. Jesus was all right, but his disciples were thick and ordinary. It’s them twisting it that ruins it for me.” -John Lennon
And then more symbolism from Ancient Egypt with the replacement Yesterday and Today cover:
Osiris marveled at the rare cedar inlaid with ebony and ivory, with less rare gold and silver, and painted inside with figures of gods and birds and animals, and he desired it greatly.
“I will give this chest to whosoever fits it most exactly!” cried Seth. And at once the conspirators began in turn to see if they could win it. But one was too tall and another too short; one was too fat and another too thin – and all tried in vain.
“Let me see if I will fit into this marvelous piece of work,” said Osiris, and he laid himself down in the chest while all gathered round breathlessly.
“I fit exactly, and the chest is mine!” cried Osiris.
What were the Beatles trying to convey with this album? Was it purely Robert Whitaker portraying them as gods? Did the Beatles realize the symbolism at the time of the shoot? My guess is that they did. The Beatles have associated themselves with gnostic ideals since the beginning (See Rise to Beatlemania post). Robert Whitaker mentioned the final picture was supposed to reveal the trilogy or the triptych in the final take. This was supposed to be the gatefold image of the Yesterday and today album, only the triptych was never added to the album cover or inside gatefold image as intended.
Significance of the Triptych
The triptych was a popular way of portraying gods and holy scenes for millennia. We now commonly vision the triptych as purely Christian due. However, the triptych is far older than Christianity, and can still be seen in ancient structures and in buildings of secret societies.
Triptych of the Madonna
One of my favorite authors, historians, and seekers of truth, Mr. Graham Hancock has a fabulous page dedicated to the triptych and its significance to ancient mystery schools, and subsequently its relation to freemasonry. It is a fabulous read, I recommend poking around here to learn more. I have briefly summarized some of the points below- but alas, Graham does a much better job of explaining the details.
Masonic regalia. The Third Eye symbol is always placed in the middle, balanced between sun and moon.
The Universal Religion shared by the ancients and hidden in these Secret Society Triptychs is a complex and detailed spiritual belief system. Its tenets have been known throughout recent history by philosophers, poets, theologians, astronomers, alchemists and occultist—all of whom have been initiated into its wisdom.
The Universal Religion teaches that:
– Deep down each one of us is an eternal spiritual “soul”
– This soul is our real true immortal “Self”
– This Self is actually a divine “god” or deity with overreaching powers
The problem is, we have amnesia of our immortal godhood Self (capital S) because it is covered up by our mortal animal bodily self (lowercase s) while we live our lives on earth.
By following a careful set of instructions—encoded in the Triptych—we can transcend our body and see our real god Self within. This has long been the goal of alchemists, occultists, spiritualists and philosophers, and it is achieved by an age-old spiritual practice known as “Awakening Our Third Eye,” with the Third Eye being a vestigial organ of spiritual illumination that lies hidden in the human forehead. Whereas the two eyes see outward at material things, the single Third Eye sees inward at the inner soul.
As it turns out, this too has been encoded into buildings that contain a Triptych. As we shall see in a moment, the Third Eye is symbolized by the center door of the Triptych:
Left: Triptych entrance with luminous Third Eye above the center door, The Museum of Television & Radio in New York City. Right: Triptych pattern with Third Eye above the center door on a dome of a key building of the Bronx Zoo in New York City.
Remnants of the Universal Religion survive best in the East, predictably, where many of its tenets can still be seen to play a part in Eastern spiritualism. The Third Eye still exists in—and is indeed still a major part of—the Hindu religion, for example, though distorted by the passing of time. The Universal Religion, however, fared far worse in the West, where the rise of Christianity led to direct conflict with the idea of personal godhood.
This “missing history of the Triptych” in the West seems to be precisely the message that great artists like Leonardo da Vinci intended to convey esoterically in portraits like The Last Supper, which show how Jesus (i.e., the religion of Christianity) has “covered over” the Triptych religion of ages past.
Da Vinci included a triptych in his masterpiece “The Last Supper”